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JESSE BONNELL
PROJECTS
Flag Semaphores
Group Therapy
Paradise Island
Where Can I Go
Behind Blue Sky
Murder Ballad
Purgatorio
Five Small Fires
The Plate Spinner
Hedda Gabler
Sweat: An a capella opera
Oedipus the King
INFO
JESSE BONNELL
PROJECTS
Flag Semaphores
Group Therapy
Paradise Island
Where Can I Go
Behind Blue Sky
Murder Ballad
Purgatorio
Five Small Fires
The Plate Spinner
Hedda Gabler
Sweat: An a capella opera
Oedipus the King
INFO
Folder: PROJECTS
Back
Flag Semaphores
Group Therapy
Paradise Island
Where Can I Go
Behind Blue Sky
Murder Ballad
Purgatorio
Five Small Fires
The Plate Spinner
Hedda Gabler
Sweat: An a capella opera
Oedipus the King
INFO
MHeiderich_ReflexionenZwei-01.jpg View fullsize
MHeiderich-Southbound04.jpg View fullsize
MHeiderich_ReflexionenZwei-05.jpg View fullsize
 The art of photographing something as still as a building is to play with perspective. This helps you create a sense of flight or even a sense of shrinking. View fullsize
 A building’s image should express the architect’s philosophy without sacrificing functionality. View fullsize
 Accentuating the curves of a building sometimes calls for a more straight-on perspective, but not necessarily in a lateral way. You still want to evoke awe. View fullsize
MatthiasHeiderich-SpektrumZwei022.jpg View fullsize
 I also shoot bridges. They are a part of any architectural landscape. View fullsize
 Tilting my perspective, this building became a fan-like object. View fullsize
MatthiasHeiderich-SpektrumZwei023.jpg View fullsize
MHeiderich_ReflexionenZwei-08.jpg View fullsize
MHeiderich-ReflexionenEins023.jpg View fullsize
MHeiderich_ReflexionenZwei-01.jpg
MHeiderich-Southbound04.jpg
MHeiderich_ReflexionenZwei-05.jpg
 The art of photographing something as still as a building is to play with perspective. This helps you create a sense of flight or even a sense of shrinking.
 A building’s image should express the architect’s philosophy without sacrificing functionality.
 Accentuating the curves of a building sometimes calls for a more straight-on perspective, but not necessarily in a lateral way. You still want to evoke awe.
MatthiasHeiderich-SpektrumZwei022.jpg
 I also shoot bridges. They are a part of any architectural landscape.
 Tilting my perspective, this building became a fan-like object.
MatthiasHeiderich-SpektrumZwei023.jpg
MHeiderich_ReflexionenZwei-08.jpg
MHeiderich-ReflexionenEins023.jpg

"Bonnell’s creative track record is undeniably impressive” - LA TIMES

“Creepy, oddly familiar, and mesmerizing all at the same time” - KCRW

“a profound experience” - KCRW

“Beautifully orchestrated” - LA WEEKLY

"... an experience that continues to be a watershed." - Bill Raden, LA Weekly

jdbonnell@gmail.com